{"id":3862,"date":"2025-04-07T21:06:06","date_gmt":"2025-04-07T18:06:06","guid":{"rendered":"https:\/\/newbalticdance.lt\/?post_type=mec-events&p=3862"},"modified":"2025-04-25T09:34:25","modified_gmt":"2025-04-25T06:34:25","slug":"la-chachi-spain-taranto-aleatorio-2","status":"publish","type":"mec-events","link":"https:\/\/newbalticdance.lt\/en\/renginiai\/la-chachi-spain-taranto-aleatorio-2\/","title":{"rendered":"La Chachi (Spain) \u2013 TARANTO ALEATORIO"},"content":{"rendered":"

Duration: 30 min.<\/strong><\/p>\n

More info<\/strong>:\u00a0https:\/\/gkc.lt<\/a><\/p>\n

Free admission.<\/strong><\/p>\n

Two women eat pipes in a park, or at the door of a house, or in a courtyard. They share a common everyday space, a conversation, the intimacy of the silence. Suddenly, the singing and dance break the ordinary world and introduced the magic. In a suspended, enigmatic time, the choreograph is born as a delicate whirl until it becomes a whirlwind. A heel tapping that complains and laughs in a loop. A song that doesn\u2019t stop, that rises upwards and surround the space.<\/p>\n

The Taranto, as a flamenco style, comes from the mining area of Almer\u00eda. Originally it is a primitive, simple, dry cante (singing), without a guitar, which was born from the need of singing freely.<\/p>\n

In this piece of stage research there is a nudity that accompanies us and with which we experiment. Respecting the structure of the traditional tablao, we investigate how the encounter between dance and cante (singing) can give way to the random to transform itself.<\/p>\n

From silence, without instrumentation, we start a conversation between the voice and the body, letting the random to take part. The call to dance explores the quej\u00edos (whining) of the taranto so that the choreographies are transformed by contagion, incorporating everything that arises from dancing and singing. Without looking for something concrete, irreverent gestures, humour and randomness appear. The dance and the cante are modified without breaking completely and which we integrate it, as in life, to continue dancing.<\/p>\n

Mar\u00eda del Mar Su\u00e1rez La Chachi<\/strong> \u2013 actress and dancer, she graduated in both disciplines in M\u00e1laga, her hometown. After specialising in flamenco with \u201cLa Lupi\u201d, training in physical theatre, new dramaturgy and contemporary dance, she discovers her true passion: the union of all above.<\/p>\n

With her first solo work, \u201cLa gram\u00e1tica de los mam\u00edferos\u201d (The Grammar of Mammals), she began to establish herself as an Andalusian avant-garde creator. The show was awarded with 3 PAD Awards 2017 for best show, best performer and best unsubsidised show. In 2018 she won the \u201cLorca de Teatro Andaluz\u201d, award for best female performer in contemporary dance as well as being nominated for best choreography and best show.<\/p>\n

Lola Dolores<\/strong>\u00a0 \u2013 singer and actress, born in C\u00f3rdoba and living in M\u00e1laga. Her family passed on to her a true passion for flamenco, which is why she began to sing and take an interest in this discipline at a very young age. She is self-taught in different musical styles such as Soul, Pop, R&B, Rock\u2026<\/p>\n

She studied acting at the Escuela Superior de Arte Dram\u00e1tico de M\u00e1laga (ESAD) and since then has worked in diverse plays of various genres and styles. She is part of different musical groups as well as solo for public and private events nationally and internationally.<\/p>\n